The Broadcasting Group represents all Society members and associates working in radio and TV broadcast within the UK and, where possible, abroad. We are pleased to administer the Imison Radio Award. We also co-administer the Tinniswood Radio Award with the Writers' Guild.
About the Group
The main purpose of the Broadcasting Group is to support members and associates by providing professional advice, by negotiating minimum terms agreements with organisations such as the BBC, by promoting legislation for the benefit of members, and by holding seminars and meetings on matters of concern to broadcasting writers.
To be eligible for membership of the Group you need to have written and had broadcast at least two scripts for radio or television of at least twenty minutes’ duration.
A committee of ten elected members runs the Group and their term of office lasts for three years. Any Broadcasting Group member can apply for a position on the committee provided that they have the support of two members. The Chair is elected by the members of the committee.
The Broadcasting Group Secretary is Jo McCrum.
Broadcasting Group Noticeboard
BBC’s archive of radio and television programmes – one touch clearances
The BBC would like to make their archive of radio and television programmes more widely available. As it is not economical to clear every contribution from each writer whose work features in the archive individually, the BBC is requesting a general permission from each writer to make the entire catalogue of their work available on similar (paid) terms to those that apply to contemporary programme commissions. Members often complain that their past work has become inaccessible, so we highly recommend that you sign up to this deal. Letters are currently being sent to authors, 500 a week, containing the following information:
Since 2002 the BBC has commissioned scripts under agreements reached in the TV Forum with the Writers’ Guild of Great Britain (WGGB) and writers’ agents through their trade association the Personal Managers’ Association (PMA). The TV Forum negotiates minimum fees, conditions and payment systems for both existing and new uses.
The signatories to this letter wish to give an expanded mandate to the TV Forum to set rates of payment for uses of TV scripts commissioned before 2002 (‘TV archive material’).
Where TV archive material is transmitted on BBC television channels the relevant repeat payment will be based on the original fee the writer received (adjusted for inflation) and will be paid to the writer by the BBC in accordance with the script agreements relevant at the time (as opposed to whatever agreement the writer might have had originally).
Where television exploitation (other than on the main BBC channels) is non-commercial e.g. BBC iPlayer, the TV Forum would negotiate an annual payment to cover the clearance of all writers’ material. The WGGB and PMA have set up Writers' Digital Payments Limited which will arrange for distribution of the annual payment to writers whose work is made available in this way.
Existing DVD arrangements will continue to operate, but other commercial exploitation will be paid for by a royalty to be negotiated in the TV Forum.
Since 2005 the BBC has commissioned scripts under agreements reached in the Radio Forum with the WGGB, the PMA and the Society of Authors (SoA). The Radio Forum negotiates minimum fees, conditions and payment systems for both existing and new uses.
The signatories to this letter wish to give an expanded mandate to the Radio Forum to set rates of payment for uses of radio scripts commissioned before 2005 (‘Radio archive material’).
Where Radio archive material is transmitted on BBC core radio networks the relevant repeat payment will be based on the original fee the writer received (adjusted for inflation) and will be paid to the writer by the BBC in accordance with the script agreements relevant at the time (as opposed to whatever agreement the writer might have had originally).
In addition to payment for exploitation on BBC core radio networks, writers also receive an up-front payment for other non-commercial use e.g. Radio iPlayer and this will continue, as will the existing payment structure for Radio 4Extra.
Existing CD arrangements will continue to operate, but other commercial exploitation will be paid for by a royalty to be negotiated in the Radio Forum.
What you need to do
Please sign general licence so that your archive works can be treated as if they had been commissioned under current TV and Radio Forum negotiated agreements. If you do not sign your original contracts will continue to apply, but your work cannot be made available for any new uses approved by the relevant Forums.
You can indicate your acceptance for your entire catalogue. However, you may wish to withhold consent to the use of individual works or withdraw works (or re-include those previously withdrawn) at any time upon reasonable notice.
The www.bbc.co.uk/writerslicence website has FAQs and a copy of the licence that you can download and return. Please contact Jmccrum@societyofauthors.org if you have any specific queries. Please let other authors or their Estates know of this permissions exercise as the BBC may not have the right contact/address on record.
New Voices on BBC Radio 4
BBC Radio 4 will run a series of 45-minute plays over the next two weeks, written by first and second time writers to radio. Original British Dramatists: Discover 10 new voices over 10 Afternoon Dramas will run from Monday 12th May at 2.15pm for the next 10 days.
Every year BBC Radio 4 commissions nearly 200 programmes into the Afternoon Drama slot – series, serials and singles – and as a matter of course they commission 30 or so plays by writers new to radio.
BBC Radio 4 does because there is a wealth of fresh new exciting voices who will not only deliver something different to Radio 4, but they also ensure that, by commissioning them, the future of writing for radio continues to develop and flourish.
The plays are:
- Rock Me Amadeus by Simon Topping
- Paris, Nana & Me by Caroline Horton
- When the Night Has No Right to Be King by John Lynch
- Art, Artefacts and Angels by Phil Marley
- When I Lived in Peru by Andrew Viner
- The Cloistered Soul by Rachel Connor
- Magpie by Lee Mattinson
- The Shining Heart by Conor McCormack and Matt Haynes
- Lost or Stolen by Jessica Brown
- From A to Z by Rose Heiney
You probably won’t have heard of most of them - yet, but they join the likes of Janice Okoh, Mike Bartlett, Lee Hall, James Graham, Harold Pinter, Tom Stoppard et al whose early work was championed by radio.
For more information please contact Laura Zetterberg at Radio 4 Publicity: email@example.com
Winners of the Imison and Tinniswood Awards announced
The third annual BBC Audio Drama Awards were presented on Sunday 26 January.
The winners were announced at a ceremony in the Radio Theatre at BBC Broadcasting House by the comedian and actor, Lenny Henry. Follow the hashtag #audioawards to read a selection of tweets from the evening.
In conjunction with the Society of Authors and the Writers’ Guild of Great Britain, the Imison and Tinniswood Awards were also announced and presented by the distinguished playwright and screenwriter of Spooks fame, Howard Brenton.
The Imison Award for Best Radio Drama Script by a new writer
Winner: The Loving Ballad of Captain Bateman by Joseph Wilde with the composer Tim Van Eyken.
Society of Author’s Broadcasting Committee: John Taylor (Chair), Ruth Brandon, Lucy Caldwell, Christopher William Hill, Alison Joseph, Annette Kobak, Michelle Lipton, Jane Thynne, Stephen Wakelam and Elizabeth-Anne Wheal.
The Tinniswood Award for Best Radio Drama Script
Winner: Marathon Tales by Colin Teevan and Hannah Silva.
Judges: Louise Doughty, Marcy Kahan and David Pownall.
As you may know AudioGO has suspended operations. Audible has now bought the entire catalogue of AudioGO master recordings (excluding BBC titles and large print books), subject to the relevant consents of third parties.
Audible currently distributes works under license from AudioGo and will pay royalties on sales over 31 October - 15 February 2014 (when AudioGO ceases trading). Payment of royalties due will be paid by cheque after this date.
If you have issued a termination notice to AudioGO and now wish to withdraw the notice and enter a license agreement with Audible email Laurence Howell at firstname.lastname@example.org or audioGO@bdo.co.uk. This will allow you to continue receiving royalty payments without any interruption. AudioGO's distribution agreement with Audible will terminate automatically once your works are licensed directly with Audible.
If you do not contact either Audible or AudioGO at audioGO@bdo.co.uk your title will not be made available after 15 February 2014 and you will need to seek another publisher.
Advances - amounts outstanding and unpaid by AudioGO will form part of your unsecured claim in the administration by BDO. It is unlikely that you will see any sums after secured creditors have been paid.
Audible, a subsidiary of Amazon, is the world's largest producer of downloadable audiobooks and offers 150,000 titles to customers worldwide.
So You Want To Write Radio Drama? Offer
So You Want To Write Radio Drama? by Claire Grove and (twice Tinniswood winner) Stephen Wyatt has recently been published by Nick Hern Books, priced £12.99.
Society of Authors members can buy a copy for just £9 with free UK postage and packing by ordering from Nick Hern Books using the voucher code SOCAUTHOR at checkout.
Voucher valid until 31 March 2014. This offer is cheaper than Amazon Prime - do take advantage of it!
The Children's Media Foundation
We are newly supporting The Children's Media Foundation who are dedicated to ensuring the UK children have the best possible choice, range and quality of media available to them. It's role is to bring together the children's media industry, the research community, parents and policy makers in a deeper understanding of the issues around children and their media activity. It supports research projects, and media literacy initiatives, runs an All Party Group to inform Parliamentarians about the latest research, and lobbies for greater support for children's media made in the UK.
Factual Radio Programmes
Have you got a great idea for a radio feature, but don’t know where to begin? This archive from our 2013 conference From Page to Programme details wider trends of commissioning as well as the nitty-gritty of getting books, contributions, views and programmes on air. Contributors included the boradcaster Patrick Humphries, Jane Ellison, Commissioning Editor BBC Radio 4, David Prest of Whistledown Productions and Susan Marling of Just Radio.
- Read a selection of tweets and tips from the event
- Download the handout
- Download the list of production companies (in-house and independent) that supply readings for the BBC
- BBC Radio 4 Commissioning - What we want
Radio Drama Agreement
A new draft of the Radio Drama Agreement is now available and includes updated rates and new definitions of Public Service, Semi-Dramatised Narrations, transmissions on Radio 4 Extra, Podcasts, Duration Basis for Fees and credits for Audio Publication. It can be found here: Radio Drama Agreement
Connect with us
- Forthcoming Events
- Find us on Twitter @Soc_of_Authors
- Follow the Broadcasting Group Twitter list
- Join our members-only discussion forum on LinkedIn
- BBC Radio Drama Writers' Guidelines
- The Imison and Tinniswood Awards
- Our concerns with public service children's broadcasting